Is life different from the non-living? If so, how? And how, in that case, does biology as the study of living things differ from other sciences? These questions are traced through an exploration of episodes in the history of biology and philosophy. The book begins with Aristotle, then moves on to Descartes, comparing his position with that of Harvey. In the eighteenth century the authors consider Buffon and Kant. In the nineteenth century the authors examine the Cuvier-Geoffroy debate, pre-Darwinian geology (...) and natural theology, Darwin and the transition from Darwin to the revival of Mendelism. Two chapters deal with the evolutionary synthesis and such questions as the species problem, the reducibility or otherwise of biology to physics and chemistry, and the problem of biological explanation in terms of function and teleology. The final chapters reflect on the implications of the philosophy of biology for philosophy of science in general. (shrink)

I reconstruct the relationship between the evolutionary geneticists Theodosius Dobzhansky (1900–1975) and Richard Lewontin (1929–2021). Using archival research and published texts, I show that Lewontin inherited his dissertation director’s research program as well as his “biology of democracy.” He did so in circumstances in which the molecular revolution in genetics was threatening both Dobzhansky’s science and his anti-racist social ideals. Lewontin’s sometimes rocky relationship with the person he called “my professor” sprang from his perception that Dobzhansky was not up to (...) managing the research program that Lewontin received from him. I explain how Lewontin took charge and the role his Marxist interpretive lens plays in his argument. (shrink)

In his book The Biotech Century Jeremy Rifkin makes arguments about the dangers of market-driven genetic biotechnology in medical and agricultural contexts. Believing that Darwinism is too compromised by a competitive ethic to resist capitalist depredations of the genetic commons, and perhaps hoping to pick up anti-Darwinian allies, he turns for support to unorthodox non-Darwinian views of evolution. The Darwinian tradition, more closely examined, contains resources that might better serve his argument. The robust tradition associated with Theodosius Dobzhansky, Ernst Mayr, (...) and others provides an alternative, scientifically sound basis for challenging the rhetoric of genetic reductionism. (shrink)

This review essay provides an analysis of the context and content of Trevor Pearce’s Pragmatism’s Evolution. The work highlights the bond between organisms and their environments.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Confronting Aristotle's EthicsDavid DepewConfronting Aristotle's Ethics by Eugene Garver Chicago: University of Chicago Press, 2006. Pp. ix + 290. $49.00, cloth.Readers of this journal are likely to be familiar with Eugene Garver's 1994 Aristotle's Rhetoric: An Art of Character. The main claim advanced in that important book is that for Aristotle rhetoric is an art because it has internal norms and ends. From this, it follows that although (...) any red-blooded rhetor probably does aim at winning a case, advancing a political career, getting rich, and other external goals, what is artful in rhetorical craft (technikos), and hence expressive of the distinctive human capacity for human rationality, is timely argumentation that binds premises to actionable conclusions through displays of good character and apt emotional response. This ordered combination of ethos, pathos, and logos recruits, or if you will interpellates, an audience that is uniquely capable of judging cases, proposals, and performances reasonably. In this way Aristotle defends rhetoric as a genuine art—an intellectual virtue—against Plato's Gorgias.To arrive at this conclusion Garver draws more widely on other parts of the Aristotelian corpus than rhetorical scholars normally do. In particular, he contrasts external with internal ends by using Aristotle's metaphysical distinction between movements, processes, or behaviors (kineseis), of which the world is chock-full, and actualizations or realizations (energeiai) of capacities, which are more rare. Because rhetorical art, qua artful, is an actualization, Garver infers that it is a "practical art" and so brushes up closely against ethical-political praxis. [End Page 184]How closely? To be sure, they are not identical. Praxis actualizes our rational capacities by issuing in deeds done for their own sake rather than in an ordered series of acts whose intelligibility and worth are, in the end, measured by their outcomes or products, as in arts (poiesis) (46). For this reason a rhetor or a doctor can display artfulness by consciously misbehaving as well as by doing his or her job well, whereas willful misbehavior on the part of a moral agent automatically disbars him or her from possessing practical wisdom (phronesis) at all (46; see Nicomachean Ethics [NE] 1140b22–25). Accordingly, even though moral virtues and technical skills are both acquired by slowly internalizing norms that at first aim only at external ends (29) and are both matched to their distinctive ends through their internal rational norms, Aristotle makes it abundantly clear that "the arts, including rhetoric, do not bring the soul into a good condition" (10). They are not the wellspring or protector of the intrinsically good actions that are constituents of happiness. that role is assigned to moral virtues such as prudence, courage, liberality, and, when these are practiced in relation to others, justice and friendship.Confronting Aristotle's Ethics begins by reviewing the above account of rhetorical art in Garver's earlier book. Precisely because that account posits a greater affinity between ethical virtue and craft knowledge than most contemporary analyses of Aristotle's Nicomachean Ethics, Garver feels a need to spell out more carefully than usual why Aristotle thinks that the arts, even at their best, cannot yield the intrinsically good acts that the moral virtues do and why for Aristotle the habitual performance of just such acts is constitutive of happiness (eudaimonia). To answer these questions is the aim of the book.Garver reports that satisfactory answers are surprisingly rare even in otherwise sophisticated contemporary Aristotelian studies (5–7). Now and again he points to one reason why this might be so. Since at least the eighteenth century, Aristotle's ethical theory has been commended by sloughing off its original political integument. Even Hannah Arendt, a devotee of Aristotle's conception of the public life if ever there was one, says that public figures must leave happiness to the private lives of little people. this depoliticization of ethics has allowed contemporary commentators to evade Aristotle's burden of proof. As good readers of Aristotle they may try to distance themselves from people who think that there might be an art of happiness by which one can technically realize one's desires. (Your local Barnes and Noble will... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Confronting Aristotle's EthicsDavid DepewConfronting Aristotle's Ethics by Eugene Garver Chicago: University of Chicago Press, 2006. Pp. ix + 290. $49.00, cloth.Readers of this journal are likely to be familiar with Eugene Garver's 1994 Aristotle's Rhetoric: An Art of Character. The main claim advanced in that important book is that for Aristotle rhetoric is an art because it has internal norms and ends. From this, it follows that although (...) any red-blooded rhetor probably does aim at winning a case, advancing a political career, getting rich, and other external goals, what is artful in rhetorical craft (technikos), and hence expressive of the distinctive human capacity for human rationality, is timely argumentation that binds premises to actionable conclusions through displays of good character and apt emotional response. This ordered combination of ethos, pathos, and logos recruits, or if you will interpellates, an audience that is uniquely capable of judging cases, proposals, and performances reasonably. In this way Aristotle defends rhetoric as a genuine art—an intellectual virtue—against Plato's Gorgias.To arrive at this conclusion Garver draws more widely on other parts of the Aristotelian corpus than rhetorical scholars normally do. In particular, he contrasts external with internal ends by using Aristotle's metaphysical distinction between movements, processes, or behaviors (kineseis), of which the world is chock-full, and actualizations or realizations (energeiai) of capacities, which are more rare. Because rhetorical art, qua artful, is an actualization, Garver infers that it is a "practical art" and so brushes up closely against ethical-political praxis. [End Page 184]How closely? To be sure, they are not identical. Praxis actualizes our rational capacities by issuing in deeds done for their own sake rather than in an ordered series of acts whose intelligibility and worth are, in the end, measured by their outcomes or products, as in arts (poiesis) (46). For this reason a rhetor or a doctor can display artfulness by consciously misbehaving as well as by doing his or her job well, whereas willful misbehavior on the part of a moral agent automatically disbars him or her from possessing practical wisdom (phronesis) at all (46; see Nicomachean Ethics [NE] 1140b22–25). Accordingly, even though moral virtues and technical skills are both acquired by slowly internalizing norms that at first aim only at external ends (29) and are both matched to their distinctive ends through their internal rational norms, Aristotle makes it abundantly clear that "the arts, including rhetoric, do not bring the soul into a good condition" (10). They are not the wellspring or protector of the intrinsically good actions that are constituents of happiness. that role is assigned to moral virtues such as prudence, courage, liberality, and, when these are practiced in relation to others, justice and friendship.Confronting Aristotle's Ethics begins by reviewing the above account of rhetorical art in Garver's earlier book. Precisely because that account posits a greater affinity between ethical virtue and craft knowledge than most contemporary analyses of Aristotle's Nicomachean Ethics, Garver feels a need to spell out more carefully than usual why Aristotle thinks that the arts, even at their best, cannot yield the intrinsically good acts that the moral virtues do and why for Aristotle the habitual performance of just such acts is constitutive of happiness (eudaimonia). To answer these questions is the aim of the book.Garver reports that satisfactory answers are surprisingly rare even in otherwise sophisticated contemporary Aristotelian studies (5–7). Now and again he points to one reason why this might be so. Since at least the eighteenth century, Aristotle's ethical theory has been commended by sloughing off its original political integument. Even Hannah Arendt, a devotee of Aristotle's conception of the public life if ever there was one, says that public figures must leave happiness to the private lives of little people. this depoliticization of ethics has allowed contemporary commentators to evade Aristotle's burden of proof. As good readers of Aristotle they may try to distance themselves from people who think that there might be an art of happiness by which one can technically realize one's desires. (Your local Barnes and Noble will... (shrink)

Jean Gayon’s encounters with American evolutionary biologists and philosophers of biology affected his project of justifying the Darwinian research tradition. He challenged entrenched views about evolution in France by showing how the population-genetic theory of natural selectionSelection removed conceptual blockages that had thwarted the Darwinian research tradition. He taught his American colleagues how important French physiological genetics was to the DarwinismDarwinism of the modern evolutionary synthesis and, with Richard BurianBurian, Richard, stressed the compatibility of the Synthesis with postwar French molecular (...) geneticsMolecular genetics. His seamless integration of history and philosophy of biology helped create an international learned society in which historians and philosophers of biology work together (ISSHSPB). (shrink)

Discusses philosophy and the science of its lesson. Observation of the perspective that laws of nature exist in theories thereby quantifying statements capable of sustaining counterfactuals; Belief on the confirmation or falsification of theories by treating putative laws as premises of hypothetical argument; Aim of science to use fewer laws to explain greater facts; Similarity between prediction and explanation.

This paper explores a possible connection between Aristotle’s defence of rhetoric as an art and his claim that its three kinds, deliberative, forensic and epideictic, necessarily take place in sites where citizens appear to one another as citizens. The argument is that only in such sites, and hence only in poleis, can speakers and audiences distinguish the internal norms of this, and indeed any other, art from external effects that, although they may be called rhetorical, are not artful or technikos (...) on Aristotle’s definition. That in making this argument Plato serves as Aristotle’s foil is suggested by allusions in the Rhetoric and other Aristotelian treatises to specific passages in Phaedrus and Statesman. The paper concludes by claiming that conditions for practising the art of rhetoric in the strict sense are as civic now as they were in classical antiquity. The media in which the art is practised may have multiplied, but when its civic nature is grasped the kinds into which Aristotle divides it appear not to have changed as much as might be thought. (shrink)

This review essay provides an analysis of the context and content of Trevor Pearce’s Pragmatism’s Evolution. The work highlights the bond between organisms and their environments.

A correction to this paper has been published: https://doi.org/10.1007/s10441-021-09414-2.

In an era when philosophers of science are turning their attention from physics to biology, and it is still common to assume that Aristotle's biological essentialism is to blame for everything that went wrong until Darwin, it is of some importance to understand how completely discredited the received picture of Aristotelian biology has become among Aristotle scholars. Reading this superbly edited book is the best way to learn this lesson. Philosophers of biology, historians of philosophy, and indeed all who pass (...) out glib stories about Aristotle to undergraduates will have to repent many words after working their way through these mostly previously unpublished papers. (shrink)